But why choose? Both have a place among the best reggae vinyl collections. You have two choices: the original version with one less track and a mix some fans see as more authentic, or the UK version, with an extra tune and a slightly faster tempo. It made the Rasta lifestyle appealing in a way no other album had done before, and introduced a new generation to the philosophy of Marcus Garvey. I had a Prometheus which would’ve been a lot of fun but sold it several years ago.ītw I have an expression pedal for the Brigadier but I can never get it to work right (understand, it *works as it should, it’s just that you either have to just use the pedal or just use the knobs, you can’t do both which doesn’t work for me).This album presented the Garveyite view of the world in a beautifully arranged, exquisitely played, thoughtfully mixed package that is immensely satisfying from its opening bar to final fade out. This board was put together with stuff I already had, so many cool/fun options in the phaser/filter world these days one could really get crazy. The PH-2 is after the Brigadier so I can phase out the delays, plus I like having multiple phase options (not a fan of the Phase 90 but it has its uses). Another is the EQ, I’m using it as a filter (look at the settings), can be great for doubling bass lines, getting mosquito sounds out of the fuzz, etc. One thing I’d say you’re missing is a fuzz, but that’s not for everyone. The Timmy is just for a bit of hair and volume boost if needed, it’s not ideal for this board it’s just what I had around. This is what I used last (plus a wah of course). But it kinda one ups it in a lot of ways. You’re better off getting a Bondi Sick As which isn’t strictly a klone. The prices are not reflective of what you’ll get out of the pedal imo. The Limelight or KTR would get you a more cutting tone for chankin and such.Īnd just a reminder, don’t buy a KTR used. But I wouldn’t say that it’s strictly reggae style. My favorite currently (and for a while) is the Spaceman Saturn V. I really like how the 60’s Fender preamps react to boost. It would just be a different approach to getting grit than what you’re currently on about. The boost on the Limelight is much more powerful and fun to hit the front end of amps with though. I think it would help tame any flub and get you some really nice grit with its mellow boost capabilities. But you mentioned having your Princeton set to 5 on the volume and that’s why I thought a KTR could be useful. I just think if you want to explore some other sounds the Limelight is probably more versatile. I really love what I’ve heard others do with the Lightspeed, so honestly would not recommend you sell it at all if you can help it. But just a great modern option with lots of utility and good vibes!Ĭlick to expand.It’s usually better to hold onto both things for a while instead of selling to fund imo. So you could probably replace the Aion and Lightspeed with that one pedal. It’s a boost and a heavily badassified Bluesbreaker style od dual pedal and the boost on that is killer on its own. You won’t lose any money if it’s not your thing!Īnother epic OD to check out is the EAE Limelight. But maybe try one out sometime and see what you think. And if you’re patient enough the KTR comes up new from time to time with dealers. But thinking about getting you some mids in a tasteful way with a sweet 60’s style Fender, I definitely think some sort of Centaur is the right answer. The Lightspeed is an absolutely wonderful drive pedal. The reason I mention a boost is with it you can probably get a different feel for certain riddims and solos too. Even with the wah on before that is excellent. Click to expand.I think Phase 90 into BBD based delay is unmistakably gorgeous for reggae and dub.
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